28So all Israel brought up the ark of the covenant of the Lord with shouting, to the sound of the horn, trumpets, and cymbals, and made loud music on harps and lyres.
Natügu: nzesz’tikr drtwr: “oneness of mind” (source: Brenda Boerger in Beerle-Moor / Voinov, p. 164)
Tagalog: tipan: mutual promising on the part of two persons agreeing to do something (also has a romantic touch and denotes something secretive) (source: G. Henry Waterman in The Bible Translator 1960, p. 24ff. )
Tagbanwa: “initiated-agreement” (source: Tagbanwa Back Translation)
Guhu-Samane: “The concept [in Mark 14:24 and Matthew 16:28] is not easy, but the ritual freeing of a fruit and nut preserve does afford some reference. Thus, ‘As they were drinking he said to them, ‘On behalf of many this poro provision [poro is the traditional religion] of my blood is released.’ (…) God is here seen as the great benefactor and man the grateful recipient.” (Source: Ernest Richert in The Bible Translator, 1965, p. 81ff. )
Chichewa: pangano. This word can also be translated as a contract, agreement, or a treaty between two parties. In Chewa culture, two people or groups enter into an agreement to help each other in times of need. When entering into an agreement, parties look at the mutual benefits which will be gained. The agreement terms are mostly kept as a secret between the parties and the witnesses involved. (Source: Mawu a Mulungu mu Chichewa Chalero Back Translation)
Law (2013, p. 95) writes about how the Ancient GreekSeptuagint‘s translation of the Hebrew berith was used by the New Testament writers as a bridge between the Old and New Testaments (click or tap here to read more):
“Right from the start we witness the influence of the Septuagint on the earliest expressions of the Christian faith. In the New Testament, Jesus speaks of his blood being a kaine diatheke, a ‘new covenant.’ The covenant is elucidated in Hebrews 8:8-12 and other texts, but it was preserved in the words of Jesus with this language in Luke 22:20 when at the Last Supper Jesus said, ‘This cup that is poured out for you is the new covenant in my blood. Jesus’s blood was to provide the grounds for the ‘new covenant,’ in contrast to the old one his disciples knew from the Jewish scriptures (e.g., Jeremiah 31:31-34). Thus, the earliest Christians accepted the Jewish Scriptures as prophecies about Jesus and in time began to call the collection the ‘Old Testament’ and the writings about Jesus and early Christianity the ‘New Testament,’ since ‘testament’ was another word for ‘covenant.’ The covenant promises of God (berith in Hebrew) were translated in the Septuagint with the word diatheke. In classical Greek diatheke had meant ‘last will, testament,’ but in the Septuagint it is the chosen equivalent for God’s covenant with his people. The author of Hebrews plays on the double meaning, and when Luke records Jesus’ announcement at the Last Supper that his blood was instituting a ‘new covenant,’ or a ‘new testament,’ he is using the language in an explicit contrast with the old covenant, found in the Jewish scriptures. Soon, the writings that would eventually be chosen to make up the texts about the life and teachings of Jesus and the earliest expression of the Christian faith would be called the New Testament. This very distinction between the Old and New Testaments is based on the Septuagint’s language.”
The Hebrew, Greek, and Latin that is sometimes translated as “ark of the covenant” in English (other English options: “pact chest” [translation by John Goldingay, 2018] or “Coffer of the Covenant” [translation by Everett Fox, 1995]) is translated in various ways:
Mairasi: Anasi Farjora or “Covenant Place” (source: Enggavoter 2004)
In American Sign Language it is translated with a sign that combines “box” and the wings of the cherubim on top of the ark (see Exod 25:18 and following). (Source: Ruth Anna Spooner, Ron Lawer)
“Ark of the covenant” in American Sign Language, source: Deaf Harbor
The Hebrew, Aramaic, and Greek that is typically translated in English as “joy” or “happiness” is translated in the HausaCommon Language Bible idiomatically as farin ciki or “white stomach.” In some cases, such as in Genesis 29:11, it is also added for emphatic purposes.
Other languages that use the same expression include Southern Birifor (pʋpɛl), Dera (popolok awo), Reshe (ɾipo ɾipuhã). (Source: Andy Warren-Rothlin)
The musical instrument that is most often translated as “lyre” or “lute” in English is translated in the following ways:
Chichewa Contempary Chichewa translation, 2002/2016: pangwe (a musical instrument that is made from a hollow tube filled with pellets or small stones to create a rain-like sound) or “five stringed instrument” (source: Mawu a Mulungu mu Chichewa Chalero Back Translation)
Kankanaey: “guitar” (Source: Kankanaey Back Translation)
Newari: “sitar ” (source: Newari Back Translation)
Description: The lyre consisted of a sound box out of the ends or sides of which projected two arms. The arms supported a crosspiece. Strings descended from the crosspiece over the sound box. As with the nevel, the number of strings could vary. Their varying thickness and tension gave the instrument a range of notes. The lyre was normally made of wood. The strings were made of animal intestines (perhaps from sheep).
Usage: The strings were normally plucked with the fingers. The kinor in particular is frequently depicted as an instrument that accompanied singing.
Job 21:12: For the stringed instrument (kinor in Hebrew) accompanying the tambourine, French Common Language Version has “guitar” and the French La Bible de Jérusalem has “zither,” which seems to be an instrument used in 1 Samuel 10:5. The first line of this verse may also be rendered “The children sing as people play the tambourine and the lyre.” In some languages these instruments will be a local drum and a stringed instrument; the latter may be a guitar. If no instruments can be found to render any of the instruments in this verse, the translator may have to express the whole verse differently; for example, “The children dance and sing and make joyful sounds/music.”
The identity of the instrument called sabka’ in Aramaic in Daniel (Hebrew) is uncertain. NRSVue renders it “trigon,” which is a small triangular lyre-type instrument with four strings. Probably trigon is technically correct, but it is unknown to the average English reader. Good News Translation has attempted to find a better-known equivalent with “zither,” but the zither has far too many strings (over thirty). Some translations use “lyre” for sabka’ and render the Aramaic word qathros before it as “zither”. Revised English Bible has “triangle,” but most readers will wrongly identify that as a percussion instrument. Common English Version avoids the problem by rendering only the first three instruments in the list and grouping the last three together, including sabka’ as follows: “Trumpets, flutes, harps, and all other kinds of musical instruments.”
Lyre (source: Knowles, revised by Bass (c) British and Foreign Bible Society 1994)
The musical instrument that is most often translated as “harp” or “large lyre” in English is translated in the following ways:
Chichewa Contempary Chichewa translation, 2002/2016: “two stringed instrument” (source: Mawu a Mulungu mu Chichewa Chalero Back Translation)
Hiligaynon: “instruments which have strings to praise you,” “beautiful to-be-listened-to instruments,” or kudyapi (source: Hiligaynon Back Translation)
Description: The exact identification of the nevel is very problematic. Some take it to be a kind of harp. The harp consisted of a neck projecting out of a soundbox. Strings were stretched from the extremity of the neck down its length and into the sound box. The body of the harp was made of wood and its strings of animal intestines (perhaps from sheep). The number of strings varied.
Others place the nevel in the category of lyres, where the strings are stretched over top of and parallel to the soundbox. While this is the interpretation preferred here, we will discuss the harp-type of instrument, since the identification is problematic and many translations have preferred “harp” for nevel.
Usage: The strings were plucked either with the fingers or with a thin piece of ivory or metal to give a resonating sound, probably in a lower register than that made by the kinor.
Translation: In several Psalms (33.2; 92.3; 144.9), the nevel is linked to the Hebrew word ‘asor, which could indicate it was “ten-stringed.”
Some degree of cultural adaptation must be made in the translation of these stringed instruments since cultures differ from each other in the shape, the number of strings, and the function of their instruments. Translators will have to select an equivalent instrument in the receptor language. In most passages the most accurate translation for nevel will be “guitar” or some equivalent medium-sized stringed instrument on which the strings are stretched over a sound box and are plucked.
In those passages where nevel and kinor appear together it is recommended that the translator use an instrument that can vary in size and then render the two words as “large and small X,” for example, “large and small guitars.” Alternately, it may be possible to select two stringed instruments that are similar in construction but different in size, for example, “guitar and lute.” It is also possible to say “large and small stringed instruments” or to combine the two, saying “stringed instruments.”
Psalms 33:2: “Praise the LORD with the lyre” (NRSVue) contains two major translation problems. The first problem is that in many languages, the phrase “with the lyre” must be changed into a verb phrase or clause; for example, the whole line may be rendered “Praise the LORD by playing music on the lyre” or “Make music with the lyre, and praise the LORD.” The second problem, which applies also to the second line of this verse, is the terms to be used for the musical instruments here. In languages in which there are several stringed instruments, translators may use one of the smaller ones for kinor (“lyre”) and a larger one for nevel (“harp” in NRSVue). In languages where there is little or no choice, they should use the known local stringed instrument for the kinor, and a more generic expression for the nevel. Where there are no known stringed instruments, it will often be necessary to say “small instruments with strings” for kinor and “large instruments with strings” for nevel.
Harp (source: Knowles, revised by Bass (c) British and Foreign Bible Society 1994)
German Luther translation: Posaune, today: “trombone,” originally with the meaning of a wind instrument made from cow horn (from Latin bucina [bovi- / “cow” + the root of cano / “sing”]. Incidentally, bucina is also used in the Latin Vulgate translation). By the time of Luther’s translation it referred to the natural trumpet or a fanfare trumpet (see also trumpet). Once the meaning morphed to “trombone” in the 19th century, trombone ensembles started to play a central role in Protestant German churches and do so to the present day. In 2016, “Posaunenchöre” became added to the UNESCO Intangible Cultural Heritage list . (Note that Exodus 19:13 is the only exception in the Luther Bible. From the 1956 revision on, Widderhorn or “ram’s horn” is used here) (source: Zetzsche)
Description: The horn was a wind instrument made from the horn of an animal, usually a male sheep.
Usage: The animal horn was softened so that it could be shaped. The point of the horn was cut off to leave a small opening through which the user blew. The vibration of the lips produced the sound.
The ram’s horn served two general purposes:
1. It was blown in certain religious contexts, not as musical accompaniment to worship but as a signal for important events. Some of these events were the giving of the Law on Mount Sinai, the Day of Atonement, the bringing of the Ark of the Covenant into Jerusalem, and the coronation of kings.
2. It also served as a signal or alarm when war was approaching. Such references are particularly common in the prophetic books, when the prophets are calling the people to repent (Hosea 5:8; 8:1; Joel 2:1; 2:15; Amos 3:6).
Translation: In many passages the purpose of the ram’s horn called shofar in Hebrew was to sound an alarm. This will be easy to express in those cultures where the horns of animals are used as musical instruments to give signals to large groups of people. In other cultures it may be possible to find another instrument that is used for an equivalent purpose. In some languages, for example, instruments such as bells or drums are the warnings for war. Some translations have transliterated the word shofar. Unless the instrument is well known, such a borrowing should normally be accompanied by a footnote or a glossary entry.
In some passages it will be necessary to expand the translation in order to indicate that the blowing of the ram’s horn was not just for music; for example, in Ezekiel 7:14Contemporary English Version has “A signal has been blown on the trumpet,” and the GermanContemporary English Version says “An alarm is sounded” [elsewhere, the same German version refers to the horns as Kriegshörner or “war horns.”]
Man blowing ram’s horn (source: Knowles, revised by Bass (c) British and Foreign Bible Society 1994)
Description: Cymbals were a percussion instrument consisting of two metal discs that were struck together in order to make a shrill, clashing sound. There were two types of cymbals: (1) flat metal plates that were struck together, and (2) metal cones, one of which was brought down on top of the other, on the open end.
Translation: The equivalent of “cymbal” in many languages is a phrase such as “loud metal.”
Cymbals (source: Susan Mitford (c) British and Foreign Bible Society 1986)
Description: The trumpet was a wind instrument, frequently used in signaling, especially in connection with war. It was made of metal (the trumpets mentioned in Numbers 10:2 et al. were made of silver). It was a straight, narrow tube, about 40-45 centimeters (16-18 inches) in length. One end had a mouthpiece, while the other end was widened into a bell shape.
Usage: The sound on the trumpet was made by blowing into the mouthpiece in such a way as to vibrate the lips. The vibrations were magnified as they passed along the widening body of the tube.
The purpose of the trumpet in Israel was primarily to signal. Numbers 10 lists a variety of occasions in which the trumpets were to be used, including signaling the people to break camp, calling all of the people together for a meeting, calling only the leaders together, sounding an alarm at the beginning of a battle, and blowing them for liturgical purposes during certain festivals. It is significant that it was the task of the priests to sound the trumpets.
Translation: Generally speaking, translators may distinguish between the Hebrew words chatsotsrah and shofar by rendering chatsotsrah as “trumpet” or “bugle” and shofar with a more generic word for “horn” or with “ram’s horn.” Note the following comment in Translation commentary on Psalm 98:4 – 98:6: “In some languages it will not be possible to make a distinction between the two Hebrew terms translated trumpets and horn. In such cases the local term for a horn will be used. The Greek Old Testament used only one term.”
The exact meaning of the Aramaic word qeren in Daniel 3:5 and following is debated. It probably refers to a brass wind instrument and is best rendered “horn.”
The present-day equivalent for the Greek word salpigx is “bugle.” A bugle is generally smaller than a trumpet and is often associated with the sounding of military signals.
Man blowing a trumpet (source: Horace Knowles (c) British and Foreign Bible Society 1954, 1967, 1972)
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