sound of the millstone

The Hebrew and Greek that is translated in English as “sound of the millstone” is translated in Baki, Lamenu and Lewo as “the noise of grating food” (especially coconuts). (Source: Ross McKerras)

millstone (illustration)

The Hebrew and Greek that is translated as “millstone” in English is illustrated for use in Bible translations in East Africa by Pioneer Bible Translators like this:

Image owned by PBT and Jonathan McDaniel and licensed with the Creative Commons Attribution 3.0 Unported License.

See also a mill or an upper millstone.

large lyre / harp

The musical instrument that is most often translated as “harp” or “large lyre” in English is translated in the following ways:

  • Chichewa Contempary Chichewa translation, 2002/2016: “two stringed instrument” (source: Mawu a Mulungu mu Chichewa Chalero Back Translation)
  • Hiligaynon: “instruments which have strings to praise you,” “beautiful to-be-listened-to instruments,” or kudyapi (source: Hiligaynon Back Translation)
  • Newari: sarəngi (source: Newari Back Translation)
  • Adilabad Gondi: karnaat (source: Adilabad Gondi Back-Translation)
  • Nyakyusa-Ngonde: zeze (source: Nyakyusa-Ngonde back translation)
  • Mairasi: kecapi (“like a ukulele”) (source: Enggavoter 2004)
  • Natügu: “ukulele” (source: Brenda Boerger in Open Theology 2016, p. 179ff. )

In the UBS Helps for Translators‘ Human-made Things in the Bible (original title: The Works of Their Hands: Man-made Things in the Bible) it says the following:

Description: The exact identification of the nevel is very problematic. Some take it to be a kind of harp. The harp consisted of a neck projecting out of a soundbox. Strings were stretched from the extremity of the neck down its length and into the sound box. The body of the harp was made of wood and its strings of animal intestines (perhaps from sheep). The number of strings varied.

Others place the nevel in the category of lyres, where the strings are stretched over top of and parallel to the soundbox. While this is the interpretation preferred here, we will discuss the harp-type of instrument, since the identification is problematic and many translations have preferred “harp” for nevel.

Usage: The strings were plucked either with the fingers or with a thin piece of ivory or metal to give a resonating sound, probably in a lower register than that made by the kinor.

Translation: In several Psalms (33.2; 92.3; 144.9), the nevel is linked to the Hebrew word ‘asor, which could indicate it was “ten-stringed.”

Some degree of cultural adaptation must be made in the translation of these stringed instruments since cultures differ from each other in the shape, the number of strings, and the function of their instruments. Translators will have to select an equivalent instrument in the receptor language. In most passages the most accurate translation for nevel will be “guitar” or some equivalent medium-sized stringed instrument on which the strings are stretched over a sound box and are plucked.

In those passages where nevel and kinor appear together it is recommended that the translator use an instrument that can vary in size and then render the two words as “large and small X,” for example, “large and small guitars.” Alternately, it may be possible to select two stringed instruments that are similar in construction but different in size, for example, “guitar and lute.” It is also possible to say “large and small stringed instruments” or to combine the two, saying “stringed instruments.”

Psalms 33:2: “Praise the LORD with the lyre” (NRSVue) contains two major translation problems. The first problem is that in many languages, the phrase “with the lyre” must be changed into a verb phrase or clause; for example, the whole line may be rendered “Praise the LORD by playing music on the lyre” or “Make music with the lyre, and praise the LORD.” The second problem, which applies also to the second line of this verse, is the terms to be used for the musical instruments here. In languages in which there are several stringed instruments, translators may use one of the smaller ones for kinor (“lyre”) and a larger one for nevel (“harp” in NRSVue). In languages where there is little or no choice, they should use the known local stringed instrument for the kinor, and a more generic expression for the nevel. Where there are no known stringed instruments, it will often be necessary to say “small instruments with strings” for kinor and “large instruments with strings” for nevel.

Harp (source: Knowles, revised by Bass (c) British and Foreign Bible Society 1994)

Quoted with permission.

flute

The musical instrument that is most often translated as “flute” or “pipe” in English is more or less universally used, so it’s typically translated directly with the applicable term.

Since its cultural significance is sometimes different it might be translated with a different instruments is some cases (see also below). When in Matthew 11:17 and Luke 7:32 the flute is mentioned as an instrument played at a wedding, the Chichewa (interconfessional translation, 1999) translates it as “we played the wedding drum for you” (source: Wendland 1987, p. 74), the Yakan and Kankanaey translations use “gongs” (source: Yakan and Kankanaey Back Translations), in Western Bukidnon Manobo “drumming” is used (source: Western Bukidnon Manobo Back Translation), and in Tagbanwa “stringed-instruments” (source: Tagbanwa Back Translation).

Or in Jeremiah 48:36 where the flute is used for mourning, Bassa uses “funeral drum” (source: Newman / Stine) or Hiligaynon, while using “flute,” makes the meaning explicit: “like a lonely music of a flute for the dead” (source: Hiligaynon Back Translation).

In the UBS Helps for Translators‘ Human-made Things in the Bible (original title: The Works of Their Hands: Man-made Things in the Bible) it says the following:

Description: The flute was a wind instrument consisting of a tube with a series of finger holes used to alter the tone. Some flutes were made of reed and could take several forms: the tube could be a cylinder or it could be more in the shape of a cone. There were instruments made of a single tube, while others had two tubes side by side. Often ancient double flutes or double pipes were arranged in a V-shape, with two separate reeds. One of these pipes had several holes while the other had only one hole and acted as a kind of drone, providing an unchanging tone to accompany the varying tones coming from the first pipe. Some pipes or flutes were made of other materials, such as wood, ivory, bone, or metal.

Usage: Sound was produced with the flute by blowing across an opening leading into a hole running inside the length of the instrument; in some cases the opening hole was in the end of the instrument while in others this hole was in the side of the instrument toward one end. With the reed pipe, on the other hand, a column of air was set in motion by blowing over a reed device, causing it to vibrate.

Translation: If there is no wind instrument available to translate “flute,” a different kind of wind instrument may be used.

The Hebrew word ‘ugav is usually understood to refer to a wind instrument. It is possible, however, that it is a generic term for “instrument” or even refers to a particular stringed instrument. In Job 21:12 and Job 30:31 it is identified as an instrument that expressed joy and contentment.

Psalms 5:1: The Hebrew word nchiloth appears only here in the Old Testament, and its meaning is uncertain. It may mean “wind instruments” in general or “flutes” in particular. Extra-biblical evidence indicates that it may have been an instrument played for funeral laments.

Matthew 9:23: Here NRSVue has “flute players”: According to Jewish tradition, even the poorest people were expected to have two flute players and a wailing woman for a funeral. In order to clarify the role of the flute players Good News Translation adds “for the funeral.” This information was immediately evident to a Jewish reader who was familiar with the funeral customs, but it will not be clear to other readers. Many cultures are familiar with the flute or other instruments that are played by blowing through a wooden tube. If no such instrument exists, then translators can say “those who played musical instruments for a funeral” or, as in Good News Translation, “musicians for the funeral.” See also flute players.

Men playing flutes (source: Louise Bass (c) British and Foreign Bible Society 1994)

Quoted with permission.

complete verse (Revelation 18:22)

Following are a number of back-translations of Revelation 18:22:

  • Uma: “All its wealth and beauty is lost all-at-once. Those who play [lit., beat] stringed instruments, singers,flutists or those who blow trumpets will no longer be found in that village. Those who are clever building houses or those who forge no longer are. There is no longer the sound of rice-pounders.” (Source: Uma Back Translation)
  • Yakan: “You, city of Babilon, there will no longer be heard in you the playing of a harp and singing. There will not be heard the playing of a flute or the blowing of the thing like a tabuli’. Likewise there will no longer be found there people working in whatever expertise. And the sound of the mill will not be heard anymore.” (Source: Yakan Back Translation)
  • Western Bukidnon Manobo: “Never again in this city will be heard flute players, and trumpet players, and harp players. And never again will be seen there any craftsmen. The noise and the sound of those grinding will never again be heard there.” (Source: Western Bukidnon Manobo Back Translation)
  • Kankanaey: “Therefore singers, strummers, flute-players and horn-blowers will not again be in that city. Neither also will skillful makers of whatever-kind-of-things be found again, and there-will-be-no one also who pounds (with a mortar and pestle).” (Source: Kankanaey Back Translation)
  • Tagbanwa: “Really never again will be heard there the voice of the singer, and the plucking of pluckers of the alpa, and the sounding of wind-instruments which are plauta and trompeta. There will also not again be seen there those who are skilled makers of whatever is made, and no more will be heard the sound of a mill.” (Source: Tagbanwa Back Translation)
  • Tenango Otomi: “There in the streets of the city never will be heard again players of the harps. There will not be heard the players of the trumpet or flute. There will not be seen workers doing their various work. There will not be heard anyone grinding.” (Source: Tenango Otomi Back Translation)

trumpet

The musical instrument that is most often translated as “trumpet” in English is translated in the following ways:

In the UBS Helps for Translators‘ Human-made Things in the Bible (original title: The Works of Their Hands: Man-made Things in the Bible) it says the following:

Description: The trumpet was a wind instrument, frequently used in signaling, especially in connection with war. It was made of metal (the trumpets mentioned in Numbers 10:2 et al. were made of silver). It was a straight, narrow tube, about 40-45 centimeters (16-18 inches) in length. One end had a mouthpiece, while the other end was widened into a bell shape.

Usage: The sound on the trumpet was made by blowing into the mouthpiece in such a way as to vibrate the lips. The vibrations were magnified as they passed along the widening body of the tube.

The purpose of the trumpet in Israel was primarily to signal. Numbers 10 lists a variety of occasions in which the trumpets were to be used, including signaling the people to break camp, calling all of the people together for a meeting, calling only the leaders together, sounding an alarm at the beginning of a battle, and blowing them for liturgical purposes during certain festivals. It is significant that it was the task of the priests to sound the trumpets.

Translation: Generally speaking, translators may distinguish between the Hebrew words chatsotsrah and shofar by rendering chatsotsrah as “trumpet” or “bugle” and shofar with a more generic word for “horn” or with “ram’s horn.” Note the following comment in Translation commentary on Psalm 98:4 – 98:6: “In some languages it will not be possible to make a distinction between the two Hebrew terms translated trumpets and horn. In such cases the local term for a horn will be used. The Greek Old Testament used only one term.”

The exact meaning of the Aramaic word qeren in Daniel 3:5 and following is debated. It probably refers to a brass wind instrument and is best rendered “horn.”

The present-day equivalent for the Greek word salpigx is “bugle.” A bugle is generally smaller than a trumpet and is often associated with the sounding of military signals.

Man blowing a trumpet (source: Horace Knowles (c) British and Foreign Bible Society 1954, 1967, 1972)

Quoted with permission.

See also trumpet / bugle.

2nd person pronoun with low register (Japanese)

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Like a number of other East Asian languages, Japanese uses a complex system of honorifics, i.e. a system where a number of different levels of politeness are expressed in language via words, word forms or grammatical constructs. These can range from addressing someone or referring to someone with contempt (very informal) to expressing the highest level of reference (as used in addressing or referring to God) or any number of levels in-between. One way Japanese shows different degree of politeness is through the choice of a second person pronoun (“you” and its various forms) as shown here in the widely-used Japanese Shinkaiyaku (新改訳) Bible of 2017. The most commonly used anata (あなた) is typically used when the speaker is humbly addressing another person.

In these verses, however, omae (おまえ) is used, a cruder second person pronoun, that Jesus for instance chooses when chiding his disciples. (Source: S. E. Doi, see also S. E. Doi in Journal of Translation, 18/2022, p. 37ff. )

See also first person pronoun with low register and third person pronoun with low register.

Translation commentary on Revelation 18:22

The sound of harpers … shall be heard in thee no more: this can be said more naturally: “No one will ever again hear harpists (or, people) playing their harps in your streets” or “No one will ever again hear in your streets the music of harps.” For harpers see 14.2.

Minstrels: in current American English this word does not mean “musicians” or “singers,” which are better terms. The Greek word means “skilled in the arts,” especially music.

Flute players and trumpeters: flutes and trumpets are wind instruments. This phrase can be more naturally expressed by “those who play flutes and those who play trumpets” or “those who blow flutes and those who blow trumpets.”

A craftsman of any craft: this refers to skilled workers as opposed to common laborers (see Acts 19.24, 38).

The sound of the millstone shall be heard in thee no more: this is a way of saying that mills won’t be grinding any grain (because there will be no grain to grind).

Alternative translation models for this verse are:

• Never again, Babylon, will there be music in your streets, the music of harps and of singers, the music of flutes and of trumpets. All your skilled workers will disappear, and your mills will have no grain to grind.

Or:

• … no one will hear people plucking strings of a harp, or people singing, or people blowing flutes or trumpets. All….

Quoted with permission from Bratcher, Robert G. and Hatton, Howard A. A Handbook on The Revelation to John. (UBS Handbook Series). New York: UBS, 1993. For this and other handbooks for translators see here .